It was announced this week that Spider-Man: Turn Off the Dark will be closing its doors Jan. 4, 2014. But the show, which is currently performed at Foxwoods Theatre, won't be gone for good. Instead, the flashy production will head to Las Vegas, joining other theater shows such as Jersey Boys and Blue Man Group.
When Spider-Man: Turn Off the Dark opened on Broadway, many feared it wouldn't last long. Prior to its debut, it had gained quite a bit of traction, but for all the wrong reasons; many were talking about its production-related troubles, including a need to retool the book and score, as well as stunt-related issues. Rehearsals and previews were both dragged on longer than anticipated when several actors were injured during the process. In fact, Spider-Man currently holds the record for longest preview period in history, with 182 performances.
Michael Cohl — producer for Spider-Man — told AP, "We can have a more exciting and better show in Las Vegas. To me, Las Vegas is the town of show business. ...If you look at our show, it's much, much more a spectacle and a Vegas show than a Broadway show. So I think we're going to have a great time there."
The following is a guest article by Sam Lowy.
Lady Gaga has turned herself into one of the most iconic pop stars of our generation. There really is no debating the fact that Gaga is one of the most diverse and entertaining celebrities in the media. Known for her commentary on pop culture and the "fame monster," Lady Gaga has been one of the few celebs to turn the entertainment community on its head. Her past albums, which have all been huge successes, have all had a similar theme regarding such matters, but with her newest release, ARTPOP, has the controversial artist finally beaten the horse dead?
With her debut single of the record, "Applause," Gaga continues her satirical commentary of fame, stating she "live[s] for the applause," and "the way that [we] cheer and scream" for her, and while the song is somewhat catchy, in the end it really just seems to fall flat. Without any truly deep or inspiring lyrics, the listener is left with an instrumental track that is, again, lacking of any real substance. The song is honestly quite weak on all accounts and is just a regurgitation of past Gaga themes of fame and culture.